[Reading] ➷ Naked at the Albert Hall By Tracey Thorn – Tshirtforums.co.uk

Naked at the Albert Hall files Naked at the Albert Hall , read online Naked at the Albert Hall , free Naked at the Albert Hall , free Naked at the Albert Hall , Naked at the Albert Hall 136aac85f In Her Bestselling Autobiography Bedsit Disco Queen, Tracey Thorn Recalled The Highs And Lows Of A Thirty Year Career In Pop Music But With The Touring, Recording And Extraordinary Anecdotes, There Wasn T Time For An In Depth Look At What She Actually Did For All Those Years Sing She Sang With Warmth And Emotional Honesty, Sometimes While Battling Acute Stage FrightPart Memoir, Part Wide Ranging Exploration Of The Art, Mechanics And Spellbinding Power Of Singing, Naked At The Albert Hall Takes In Dusty Springfield, Dennis Potter And George Eliot Auto Tune, The Microphone And Stage Presence The Streets And The X Factor Including Interviews With Fellow Artists Such As Alison Moyet, Romy Madley Croft And Green Gartside Of Scritti Politti, And Portraits Of Singers In Fiction As Well As Tracey S Real Life Experiences, It Offers A Unique, Witty And Sharply Observed Insider S Perspective On The Exhilarating Joy And Occasional Heartache Of Singing


10 thoughts on “Naked at the Albert Hall

  1. says:

    A couple of years ago, Bedsit Disco Queen by the same author was an unexpected pleasure due to Tracey Thorn s honest and intelligent writing style, and this in some ways a follow up, in most ways an expansion of specific areas associated with the craft, artistry and vocation of singing was also a delight.The appeal of her writing was the same straightforward and approachable, yet deeply incisive in places, Thorn strikes a very readable balance between personal exploration and general examination of what other people other singers, authors and poets, the average man or woman in the street think about singing Piecing together research, autobiography and interviews with others in the music business, this makes for an excellent read.


  2. says:

    We all love to sing, don t we Well in Ireland we certainly do Weddings, christenings, funerals, or just an ordinary night down at the local pub wait, especially an ordinary night at the local pub you d better have a tune ready if you re attending any kind of social event here because you never know when you might be called upon to lead a sing song As I write this review I am still hoarse from belting out Bruce Springsteen s greatest hits along with 80,000 like minded souls at his gig in Croke Park So why do we enjoy singing so much And what makes a good singer Tracey Thorn produced one of the best music memoirs in recent years with Bedsit Disco Queen Eloquent, warm and witty, she pulled back the curtain and showed us what life was like in a hugely successful rock band As a member of Everything But The Girl she sold millions of records but has always been a reluctant popstar She sang for her first audition as a shy teenager from inside a wardrobe and has not performed in public since 2000.In this insightful book Thorn examines the art of singing Her passion for music is absolutely intoxicating I loved her descriptions of her favourite singers Liam Gallagher has a sneering engine of a voice aimed straight at your forehead and she praises Dusty Springfield at length that smoky, husky, breathy, vulnerable, bruised, resigned, deliberate, sensual voice The portrayal of singers in literature is impressively explored in novels such as Bel Canto and Daniel Deronda She interviews some of her fellow artists such as Alison Moyet, Kristin Hersh and Green Gartside She poignantly talks about her stage fright and her efforts to overcome it The popularity of TV singing contests is also addressed I ll even forgive her for liking The X Factor.Thorn is a wonderful writer Always articulate and engaging, she comes across as a very likeable person, unaffected by fame Some of the discussions of singing technique may only be of interest to music nerds but there is something here for everyone It is a fascinating, honest and revelatory read.


  3. says:

    Tracey Thorn is fast approaching national treasure status her Everything But The Girl days a distant memory, she is successfully beating a new path as author, columnist, speaker and essayist A woman of letters she d have been called in the olden days There s a sideline in music too, including her recent soundtrack to the hysteria in a girls school melodrama The Falling Two years ago, Bedsit Disco Queen put her at the top of the Sunday Times bestseller list and on to A Book At Bedtime While Naked At The Albert Hall doesn t have quite the same unique appeal, it s still a warm, witty book infused with Thorn s trademarks understatedness, wry humour and gentle intelligence Her dissection of the art of singing may not be scholarly, but it s borne out of her own knowledge and experience, and those of her carefully chosen interviewees including Linda Thompson, Romy Madeley Croft, Green Gartside and Alison Moyet There are discourses on why Elvis Costello is so important, the allure of Dusty Springfield and the fascination of Sandy Denny, not to mention a spirited defence of The X Factor despite its high cheese quotient But it s Thorn s own experiences, her reasons for singing in the first place and why she won t now perform live that give this its credibility and a sense of an author with a strong grip on her own reality Genuine insight.


  4. says:

    Tracey s boss The most distinctive british female voice ever, in my humble opinion, and responsible for some of the most literate pop songs in existence, at the tender age of 22.Goodness she s impressive It begins as a lovely virtually academic rumination on the voice, singing, and I suppose, minor celebrity right up there with someone like Simon Reynolds invoking such literary references as George Eliot Daniel Deronda , Du Maurier s Trilby, and Willa Cather all the way up to John Cheever and Ann Patchett Bel Canto She s also quite well read on those others who ve tackled this subject before, including England s balladeering history, such as Simon Frith, Will Hodgkinson, and Rob Young She then walks us through her own influences and what she perceives to be their own relationship s with their respective voice s and, natch, their own celebrity, including Dusty Springfield, Sandy Denny, Karen Carpenter, Patti Smith, Lesley Woods the Au Pairs , Poly Styrene, and latterly, the XX s Romy Madley Croft, who could literally be Tracey s daughter, only being in her early 20 s Croft s earliest memory of Tracey is Missing which means she missed sorry Tracey s entire career Sadly the book does devolve a wee bit into a wobbly confessional, concerning Tracey s own stage fright and her subsequent withdrawal from public performances, exhaustively cataloguing all those neuroses from which she suffers every time she tours but it never lacks for either charm or wit She really is a treasure.And bonus, it ends with one hell of a playlist to keep you rather poor and iTunes rather wealthy..


  5. says:

    Tracey Thorn doesn t do nostalgia gigs she doesn t attend them, or play them I kind of agree with her, it s always a bit of a let down when you realise that your idols age too I did make an exception a couple of years ago though, and went to see The Who I didn t regret it.Naked at the Albert Hall is the perfect way to do nostalgia, I loved every page of it and it took me back to my younger days Reminders of those Elvis Costello songs that I loved so much, X Ray Spex and Siouxsie two of my heroines, and now that I m middle aged I can actually admit to how much I loved Karen Carpenter s voice.Tracey Thorn s first book Bedsit Disco Queen told her own story Naked at the Albert Hall explains about singing as an actual process I wasn t sure that I was interested in lungs and throats and how they work, but she writes with such passion, and uses such wonderful phrases, and I was hooked.There is an honesty about Tracey Thorn that is refreshing So many pop stars appear false and gaudy, not Thorn, she really is quite upfront about what she sees as her own flaws I like that, it makes me want to read , and it made this book so much enjoyable.Tracey Thorn is wise and witty, and this shines through in her writing She is a naturally talented writer, of songs and of books A must read for fans.


  6. says:

    Fascinating study of all aspects of singing Tracey writes so well and chattily, using her own experiences and those of other singers, She covers singing with children, in church, in choirs, in the recording studio and in live performance Having struggled with performing, she talks about other singers like Dusty Springfield, Scott Walker and Linda Thompson who have also had problems Good to read about the tension that exists when you love singing but are naturally introverted, like Karen Carpenter and Tracey herself.


  7. says:

    This is a quite self made book about western views on singing Or, rather, Thorn s views on singing The fact that she has been a fairly famous singer for a bunch of years does play a part in this, as does her interviews with other famous persons, e.g Kristin Hersh and Romy Madley Croft.Where Thorn excels, is in her personal mini monographs that are often encased within single paragraphs, as here, about experience and influence It s also true that we can be negatively influenced by people, or strain to avoid taking on too strongly the imprint of another, for fear of drifting into mere imitation and unoriginality Bob Dylan talks in his book, Chronicles, about how intimidated he could be in the early days by hearing others who seemed authentic than him, and how inadequate that could make him feel He d been learning and playing all of Woody Guthrie s songs, and feeling pretty good about himself as a singer of these songs, when he suddenly heard the recordings of Ramblin Jack Elliott, who d been singing the same songs for years Dylan describes being devastated by this I felt like I d been cast into sudden hell Far from being inspired by the sound of someone doing what he was trying to do, he felt paralysed, and realised that in fact he would have to run a million miles from the very person it seemed he could learn the most from All he could do was try to ignore Elliott It would be hard not to be influenced by the guy I just heard I d have to block it out of my mind tell myself I hadn t heard him and he didn t exist In other words, influence can sometimes be terrifying not inspiring at all, but crippling.A lot of the book is about popular, western ways of singing, mainly in a crowd fronting way, but also about the need for singing, to begin with.I loved to read about Dusty Springfield, not only because Thorn found her through my favourite song of Springfield perhaps bar Magic Garden Who is your favourite singer It s a question I m often asked, not surprisingly, and my answer is usually the same Dusty Springfield I do know the first time I heard her Elvis Costello was presenting a radio show, playing a selection of his favourite records, and as was usually the case with anything like that on the radio, I was taping it onto cassette This was 1980, or maybe 1981 He had already introduced us to another of her signature tunes, I Just Don t Know What to Do with Myself , when he performed it on the Live Stiffs Live album in 1978, and that had been a revelation, opening my eyes to the possibility of liking Bacharach and David as well as punk a difficult but heady idea, and one I would have to come back to later Now on this radio show he played I Don t Want to Hear it Any More from Dusty in Memphis, and for the first time I truly heard that voice that smoky, husky, breathy, vulnerable, bruised, resigned, deliberate, sensual voice.Some of the interviews in this book are truly interesting I love Kristin Hersh s comment here KRISTIN I have one rule in the studio no singing , meaning no faking Which probably pertains to guitar parts as well no chops, no imitating, no telling the song what to do A real vocal is a textural expression Maybe the kind you croon to your baby, maybe the kind you yell when you drop something on your foot, but it must be determined by the song or it will never resonate with the listener And if it s embarrassing So much the better Some of Thorn s personal memories are also interesting, funny, and illuminating, slight as they may at first mean I was in the loo at a nightclub once, years ago, when I was recognised as I washed my hands It can t have been that long after Missing was a hit as the request made of me was not for an autograph, or even a photo, but for me to sing a few lines of the song to prove that I was really that Tracey Thorn.And because I d presumably had a few drinks I must have done or I would have run a mile in the opposite direction I agreed, and standing there at the sink I took a deep breath and sang, I step off the train, I m walking down your street again, and past your door, but you don t live there any The girls stared and squealed at me, and grabbed each other, and the thing they said, which I took as the ultimate compliment, was YOU SOUND JUST LIKE YOU I knew what they meant, of course I did That my voice really was my voice, the authentic sound that came out of my mouth, not some product of studio trickery and fakery There s a naivety to this response, really, the idea that someone s voice can be manufactured for them in the studio which is simply not as true as people think and an old fashioned regard for the virtues of vocal authenticity But there s an important point to be made here, a timeless truth, which is that however much vocals can be manipulated, or fixed, or homogenised, finding your own voice your unique, personal sound is still the key ingredient in becoming a singer.All in all, a funny, probably helpful book to the everyday singer, but I couldn t help but feel that I wish that stones had been turned while researching this book it is very western and poppy, but if that s what I d had in mind to begin with, it d have been better.


  8. says:

    Tracey Thorne is a great singer, but don t take her word for it because she won t tell you I bought this book without looking at what it was about I enjoyed her Autobiography Bedsit Disco Queen so much I was in a mood to read anything the author wrote and did not think to see what the book was about Naked at the Albert Hall turns out to be effectively an extended essay on singing and singers Her self deprecating and insightful style is a joy to read, the opinions and thoughts mostly analogous of my own even if I did not realise I held those views until I saw them on the page.In one early chapter she questions if you like music if you feel a liking for the singer or the other way round I would go so far as to say my enjoyment of Everything But The Girl has been expanded by my liking of the Author You are left feeling that you are dealing with a human being who happens to be fairly famous and very talented, but always one of us In many ways I feel I know about Tracey Thorne than I did reading her Autobiography Sometimes it is striking how revealing and open she is, on one hand you feel she is a private and reserved person but then she openly talks about her deepest traits and weaknesses A lovely easy read, but also at times thought provoking.4 stars I need to reserve the 5th for the follow up to Bedsit Disco Queen.


  9. says:

    Where Tracey Thorn s first book did house her ambivalent feelings towards her gifts as a singer and as a somewhat reluctant popstar, she has channeled those feelings completely into her excellent second book, which takes on the nature of singing itself as well as our relationship with singers, why we sing, how we sing, what connects us to the act and process of singing, the psychology of singing as well as the artand surprisingly, sometimes the artifice.Leaping from memoir, Thorn works from her own somewhat reluctant and undeniably conflicted feelings and experiences as a professional singer and then explores the differences between singing in the controlled environment of the recording studio to the vastly uncontrollable environment of the stage She muses about the differences in how she sings compared with her own singing heroes like Patti Smith and contains one on one interviews with Green Gartside of Scritti Politti, Romy Madley Croft of The xx and Alison Moyet She further explores the nature of singing in literature and mythology and brings us up to the minute by musing over the validity and fervor surrounding singing competition television shows, plus even meticulously researched observations regarding the very form of musicality we all engage in at some point of our lives, from either singing Happy Birthday to singing hymns during church services, or performing karaoke While this book might sound like it exists as a form of a collegiate dissertation albeit the very best one you would be graced to ever read , in Tracey Thorn s literary hands, it is again a work of supreme warmth and intimacy fueled by a superior intelligence, charm, curiosity and biting wit, which appears in anecdotes sprinkled throughout the book I especially enjoyed her take on the sorts of new age music played during a hypnosis session she skeptically attended as well as another incident when baffled fans approached her in a public Women s Room and asked her to sing a few bars of her Everything But The Girl smash hit Missing to prove if it was really her And it is through stories like those that supply the full narrative with its overall drive and personality so as to not allow the book to simply exist as a dry, academic dirge Completely engaging, informative, educational and entertaining, Tracey Thorn enraptured me with her prose and again, I just roared through it.


  10. says:

    I first came across Tracey Thorn, via EBTG, in 2001 Ironically, this was the year after she stopped singing in public One of the things that makes this such a fascinating book is that it is by someone whose describes herself as a singer, who has indeed worldwide fame as a singer, yet who hasn t sung in public for over 15 years The book is part a general exploration of singing and what it means to be a singer, and part a window into a process of self discovery or, least, a window into the experience of a particular singer.Through a series of short chapter, Thorn examines a whole series of different aspects of singing, many of which came as a complete surprise to me, as a non singer Particularly memorable were her reflections on how the perception of a beautiful singing voice as being a gift can have the effect of devaluing the singer, her account of Rufus Wainwright being put off during a live performance by an unfortunate choice of trousers, and how her own children suggested that she seemed to have in common with Romy Madley Croft of The xx than she did with them Not only are Thorn s chapters insightful, they are also beautifully written, varying in style from personal musings, through interviews with other singers, quotes from works of fiction and analysis, to narration of key incidents In this, the reader should not be surprised apart from being a highly successful singer, Thorn also gained a First in English Literature and subsequently an MA These are the thoughts of a highly literate and concise thinker An easy read, yet full of insights Greatly recommended.


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